Professor Acquah, Emmanuel Obed
| +233502260039 | |
| eoacquah@uew.edu.gh |
Quarcoo, R., Forster, P., Ogoe, J., Osei, M. A., Ghanney, V. & Agbodo, P. (2023). Journal of African Arts and Culture (JAAC), 6(1). https://jaac-sca.org/wp-content/uploads/2024/02...
Acquah, E.O. (2023). Styles of Ghanaian Choral Music Composers: “The Syncopation Man”- James Tsemafo-Arthur. International Journal of Current Research, 15(3), 23997-240002. http://www.journalcra.com
Essel, O.Q., Coffie, M. M. & Acquah, E.O. (2023). Second-hand clothing and colonialist-inspired fashion criticisms through highlife music in post-independence Ghana. International Journal of Multidisciplinary Research and Development, 10(6), 85-92.
Acquah, E.O., Arko-Mensah, A. & Ohene-Okantah Jnr, M. (2023). Music making and ban on drumming among African Communities: Winneba Community in perspective. In E.Y. Dandso-Wiredu & J. Weiler (Eds) Winneba: The Geography, Peoples and Systems. Digi Books, Tema.
Acquah, E.O. & Adenyoh, C.K. (2023). Sport, PE and music & dance in local and global cultures (Early Grade). CoDeL, University of Education, Winneba, Winneba.
Acquah, E.O. & Adenyoh, C.K. (2023). Sport, PE and music & dance in local and global cultures (Upper Primary). CoDeL, University of Education, Winneba, Winneba.
Acquah, E.O. (2023). Nyansaba: African musical Drama (Anansegorndwom).(1). PSJ Publications, Winneba.
Acquah, E.O. (2022, December 5-6). Dealing with Artistic Data and Analytical tools for Arts-Based Research [Paper presentation]. Conference for Postgraduate students in SCA on Artistic Research orgainsed by CeRCCA, Winneba - UEW, Central Region
Acquah, E.O. & Ayesu. S.N. (2022, August 22-25). Towards a Stronger Music Technology Programme in the Department of Music Education, University of Education, Winneba [Paper presentation]. SASRIM 16th Annual Conference - Department of Music and Musicology and International Library of African Music, Rhodes University, Makhanda
Acquah, E.O. & Sackey, G. (2022, August 22-25). A Century of Stylistic Trends in Art Music Compositions in Ghana: Interview with four Ghanaian Scholar-Composers [Paper presentation]. SASRIM 16th Annual Conference - Department of Music and Musicology and International Library of African Music, Rhodes University, Makhanda
Acquah E.O. Annan J.F. & Sackey, G. (2022). The Africanism in two selected works of C.W.K Mereku: A formalistic viewpoint. European Journal of Humanities and Social Sciences, 2(3), 83-94.
Acquah, E.O., Ayesu, S.N. & Annan, J.F. (2022). Harmonic or non-harmonic? A formal and scientific analysis of three musical tones in Petzold’s “Minuet in G”. International Journal of Research and Innovation in Social Science (IJRISS), 6(7), 752-763.
Sackey, G., Annan, J.F. & Acquah, E.O. (2022). The compositional thought in Godfred Sackey’s Ebiawonkasama. Journal of Advance Research in Humanities and Social Science, 10(6), 1851-1867.
Annan, J. F., Acquah, E.O. & Sackey, G. (2022). Analytical quest of four selected harmonized chorales of Johann Sabastian Bach. International Journal of Education, Humanities and Social Science, 5(4), 1-19.
Acquah, E.O. (2022). Bibliographic and discographic inquiries in music composition. Journal of Humanities, Music and Dance, 2(5), 4-12.