Introduction (Background to the Study, Problem Statement, Purpose of Study, Objectives, Research Questions)
Review of Related Literature
Methodology
Findings from the Study (Arrangements and Compositions from Models)
Conclusions and Recommendations
Composers’ product intention
Musical style and repertoire of various ensembles – symphony orchestra, military bands, jazz, choral, etc.
Preliminary studies
Original compositions for Ghanaian brass bands are virtually non-existent
Overdependence on choral and other vocal works
No unique repertoire for Ghanaian brass bands if restricted to ensembles’ own works
